Panasonic AG-CX20 Handheld camcorder MOS Full HD Black

CINECAM60KLFL

HC-X2E

AG-CX350EJ

CINECAMCPYXH60LFPL

The Blackmagic Cinema Camera 6K is a next generation, handheld 6K digital film camera with 6048 x 4032 full frame high resolution HDR sensor, dual native ISO, L‑Mount, CFexpress recording and direct recording to USB-C disks! Blackmagic Cinema Camera 6K features an OLPF for better detail handling, records stunning 12-bit Blackmagic RAW for cinematic images as well as real time H.264 proxies!

HC-X2E
Versatile streaming functionality ideal for professional shooting sites

Wide 24.5mm and Optical 20x Zoom Lens
The lens covers the range from 24.5mm wide-angle to 490mm tele with a 20x zoom. i.ZOOM achieves 24x zoom with 4K resolution, and 32x zoom with FHD.

Versatile Recording Mode
Supports a high bit rate of 200 Mbps for 59.94p/50p video recording with HEVC (LongGOP/10 bit 4:2:0/MOV) codec. The Super Slow-motion function supports 10-bit recording in FHD at 120/100fps and 4K (UHD) VFR from 2 to 60fps for over-cranked and under-cranked shots to allow for highly creative video expression.

4K High-Precision AF
Face Detection precisely captures subjects on-site free from out of focus problems and insufficient exposure. Also, by adding color recognition, tracking subjects is improved, without interruption, when the face moves to either side.

5-Axis HYBRID O.I.S.+
In both UHD/FHD modes, in addition to Optical Image Stabilization, Electronic Image Stabilization detects and corrects handshake in the 5-axis direction. The Ball O.I.S. System reduces friction in the drive section, especially improving the correction of small-amplitude blurring.

4:2:2 10-bit Internal Recording
Records a 4:2:2 10-bit color profile of up to LongGOP UHD 29.97p/25p (150 Mbps), or FHD 59.94p/50p (100 Mbps) with SD cards. Outputs 10-bit UHD 59.94p/50p images via HDMI.

HLG/13-stop V-Log for HDR Video Production
The X2 is equipped with HLG (Hybrid Log Gamma) shooting mode, one of the standards related to HDR. In addition, it supports V-Log, which is also available on the Panasonic VARICAM cinema camera and LUMIX mirrorless cameras, providing 13 stops of latitude. When combined with a V-Log compatible camera, color grading provides a uniform image in post-production.

Full-HD Live Streaming
RTSP/RTP/RTMP/RTMPS-compatible HD streaming enables direct connection and distribution of relays for concerts, sports events, and news flashes to Facebook, YouTube, etc.

Wireless Control from a Tablet or Smartphone
A Wi-Fi module is built-in, so Wi-Fi connection of only the body is possible. Using a tablet or smartphone app HC ROP, wireless camera settings and lens control are also possible.

Functions and Designs that Support Professional Camera Work

Triple Manual Rings
The X2 features triple manual rings on the lens barrel for Focus, Zoom and Iris control. These manual functions ensure professional operation and enable speedy and intuitive camera work.

ND Filter
ND filters are built into the lens to suppress the amount of incident light. The filters can be selected (Clear, 1/4, 1/16 or 1/64) to match the shooting environment. This is convenient, for example, when you want to shoot at a slow shutter speed in bright daylight.

2-Channel XLR Audio Input Terminals
+48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supports 24-bit high-resolution Linear PCM audio recording with a professional mic.

3.5-inch High Brightness LCD Monitor
The approx. 2,760-k dot LCD monitor realizes excellent visibility even in bright sunlight with high brightness, and an electrostatic touch panel for easy menu selection. Simultaneous LCD/EVF output constantly displays the LCD monitor image whether the EVF is being viewed or not.

Dual Codec Recording
Records images simultaneously in two different formats, such as Main (UHD/FHD) and Sub (FHD), etc. This achieves an efficient workflow.

User Buttons
48 functions can be allocated to the User Buttons. There are a total of 14 User Buttons: nine on the body, and five on the LCD Touch Panel. The O.I.S. and D.ZOOM buttons can also be used as User Buttons.

Tiltable Viewfinder with Eyecup
The 2,360K-dot-equivalent color OLED viewfinder can be tilted for added convenience. The large eyecup fits either eye comfortably.

Simultaneous SDI/HDMI Output
Output of UHD 4:2:2 10-bit via HDMI and FHD 4:2:2 10-bit via SDI enable a variety of uses. In V-Log shooting, either V-Log or V709 (HDR or SDR in HLG shooting) can be selected for each of the SDI, HDMI and LCD video outputs.

LAN Terminal / USB Tethering
A wired LAN connection enables stable live streaming even in environments with unstable Wi-Fi. Streaming using 5G smartphones is also possible via USB tethering.

AG-CX350 4K Handheld Camcorder
The AG-CX350 is the industry's lightest 4K 10-bit fixed-lens camcorder. The CX350 also brings impressive new features, including V-LOG video support, 4K 10-bit 60p capture, HDR recording, and is equipped with the SRT / RTMPS / RTMP / RTSP/ RTP protocol for livestreaming, along with an NDI ready IP connection.

PRODUCT DETAILS
The AG-CX350 is the industry's lightest 4K 10-bit fixed-lens camcorder. The CX350 also brings impressive new features, including 4K 10-bit 60p capture, HDR recording, and is equipped with the RTMP/RTSP/RTP protocol for livestreaming and an NDI ready IP connection. A new firmware upgrade for the AG-CX350 brings new codec choices (HEVC 100-Mbps & AVC-ULTRA formats), additional audio capability, enhanced streaming and more!

NEW! Firmware Update

Version 4.03
The latest AG-CX350 firmware update adds camera control support from the AW-RP150 camera controller and USB tethering support that allows the camera to output livestreaming over a cellular network by using your smartphone. This builds on the previous update which added V-LOG mode, P2HD AVC-Intra 200/100/50 format recording support and additional network & streaming support.

Optimized For 4K/HD Production With Live Broadcasting Capabilities
The CX350 is a handheld camcorder that is optimized for 4K/HD production with live broadcasting capabilities. With its integrated lens design, the CX350 brings impressive new features including 4K 10-bit 60p capture, HDR recording, and is equipped with the RTMPS / RTMP / RTSP / RTP protocol for live streaming and NDI|HX-ready IP connection. At only 4.2-lbs. (body only), the CX350 is also the lightest 4K 10-bit fixed-lens camcorder in its class.

Exceptional Sensor Performance
The 1.0-type MOS sensor (approx. 15.03-megapixels in UHD/FHD) provides exceptional depth-of-field and offers a great balance between image quality and sensitivity (F12/F13 in High Sensitivity Mode). The CX350 can capture in UHD (3840x2160), Full HD (1920x1080), HD (1280x720), and SD (720x480). Like the EVA1, the CX350 offers 10-bit 4:2:2 color sampling with ALL-Intra (400-Mbps) and LongGOP (150Mbps) and can be recorded in UHD up to 29.98p/25p and FHD up to 59.97p/50p. It also supports the 10-bit HEVC codec at UHD up to 59.97p/50p with a low bit rate of 200Mbps. The HEVC 10-bit codec can be natively decoded and played by computers with 7th Generation (or later) Intel Core i7 chips. All of these formats and compression rates can be recorded internally to lower cost SD cards.

Streaming Capabilities in 4K and SRT Protocol Support
4K streaming is supported with a variety of frequencies and HD streaming is possible while recording. Both Client/Listener mode and encryption are also supported. H.264/H.265 codec and a variety of bitrates can be selected. The CX350 also supports USB tethering using your smartphone.

SRT Protocol enables high-quality streaming. SRT is used for direct live video transport between locations over the public internet.

Get Connected
The CX350 offers multiple forms of IP connectivity. It is the first handheld camcorder with in-camera NDI|HX compatibility (requires license purchase, internal recording is disabled in NDI|HX mode), allowing for high-quality IP video connectivity with live production switchers, including the Panasonic AV-HLC100 Stream Studio. The CX350 contains an RTMP (Real Time Messaging Protocol) / RTMPS function, which enables video streaming to key social platforms like Facebook Live and YouTube Live. Internal HD recording (MOV) while streaming content is also available. The CX ROP app for iOS/Android tablets enables IP remote control of the CX350 with Gigabit Ethernet LAN connector (RJ45), or wireless module (AJ-WM50). With the app, you can control functions such as camera settings, picture quality adjustment, REC start/stop, menu settings and more.

Controllers for Simplified Live Camera Operation
Panasonic’s controllers can be used together in a variety of different product categories, including our PRO PTZ Cameras, Studio Cameras, Camcorders and Cinema Cameras.

V-LOG Video Capture
The addition of V-Log adds a new dimension to the CX350, especially for documentaries. Documentaries will often use a multitude of cameras to capture a variety of shots that fit the story. For example, a cinema camera like the EVA1 with its 5.7K Super 35mm sensor can capture cinematic shallow depth of field while the CX350 might capture dynamic action shots from far in the distance with its 20x lens. With both cameras capturing in V-Log, it will be easier to match the look of both cameras in an NLE timeline.

When recording in V-Log, the 4K Super35 VariCam lineup (VariCam 35, VariCam PURE, VariCam LT) can captures 14+ stops of Dynamic Range. The EVA1 with it's 5.7K Super 35mm sensor can captures 14-stops. The CX350 and its 1" CMOS sensor can capture 13+ stops. As you may or may not know, ITU-R BT.709's system gamma is limited to 6.8 stops.

To store this expanded latitude, a logarithmic contrast curve is employed. However, displaying this huge range of image contrast (the darkest shadows to the brightest highlights) in Log format on a conventional monitor will show an image that looks flat and desaturated but these Log images are used to provide the greater flexibility for post color correction. You can then adjust V-Log for viewing using a 3D LUT (3D Look Up Table) such as the V-709 LUT, or the VariCam LUT Library.

Capture Wide Angles & Wide Dynamic Range
The CX350’s integrated lens contains a wide angle of 24.5mm at the wide-angle setting with minimal-distortion. The 20x optical zoom lens covers the range from 24.5mm to 490mm (35mm film equivalent at 4K/HD). It also has the 35x(HD) / 24x(4K) Intelligent Zoom function. In both 4K and HD shooting modes, the CX350 uses 5-axis hand-shake correction that combines the effects of both optical and electronic image stabilization, providing a steadier image in unstable shooting conditions.

In addition to capturing conventional gamma modes (HD, SD, FILMLIKE 1/2/3 FILM-REC, VIDEO-REC), the CX350 now supports HLG (Hybrid Log Gamma) to capture a wider dynamic range. The HLG standard was developed jointly by the BBC (British Broadcasting Company) and NHK (Japan Broadcasting Corporation) and is currently supported by both TV stations and streaming services. When shooting HLG, the CX350 can be set to HDR or SDR Color Setting on each output – LCD/EVF, SDI and HDMI.

Additional Features
For sports shooters, Variable Frame Rate (VFR) recording can be set in the range of 1-fps to 60-fps (59.94Hz). In FHD mode, Super Slow motion can be achieved at 120-fps/100-fps (59.94Hz, 50Hz). The CX350 can also capture 720p AVCHD 8-Mbps, for a video analysis and compatibility with DV Sports and XoS Digital.

Additional key features of the CX350 include support for AVCHD, P2HD, simultaneous SDI and HDMI output (UHD video via HDMI and output of HD video via 10-bit, 4:2:2 SDI), two audio channels from the built-in stereo mic, or two XLR audio inputs, and low power consumption at 17 W. Two toggle switches for GAIN and WHITE BALANCE are available, as well as two Accessory Shoes for additional versatility.

Guide to the CX350 Camcorder by Barry Green
A Guide To The Panasonic AG-CX350 Camcorder ebook contains an easy and fast orientation to basic principles and in-depth walkthroughs of the CX350's unique features and capabilities. It is available to download for free, and includes free scene files and tutorial videos.

CX350 Remote Control Mobile App
CX ROP is a control program that enables the wireless remote control of the Panasonic AG-CX350 series camcorder. It provides a GUI that displays status information, settings, and provides user switch status in a single screen and the ability to change camera settings intuitively using a touch screen.

The World’s Most Riggable Full Frame Digital Film Camera!
Introducing the next generation customizable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

Designed for Maximum Customizability!
With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!

Get the "Hollywood Look" with Digital Film!
Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!

Large Format Cinematic Digital Film Sensor!
Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.

Full Frame Flexibility
The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!

Three Great Models!
With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!

Shoot Incredible High
Dynamic Range (HDR) Images
The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!

Dual Gain ISO for Exceptional Low Light Performance
In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.

Multiple Resolutions and Frame Rates
Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!

Large 4″ LCD Monitor
The built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.

All Controls at your Fingertips
Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.

Side Plates for
Flexible Mounting Options!
The innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1/4″ thread mounts and 4 3/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!

Post Production
Friendly File Formats!
Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.

Record to CFexpress Cards or External Disks!
The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!

Blackmagic RAW The quality of RAW and the speed of video!
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!

Color Temperature
Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.

Contrast
Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.

ISO
Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.

Tint
Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.

Saturation
Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.

Exposure
In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!

Powered by Blackmagic OS
With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!

Generation 5 Color Science
Featuring the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.

Live Sync to
Blackmagic Cloud and Editors
Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!

1. Record to
Internal Storage
You can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.

2. Select and
Upload Clips
If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.

3. Record into DaVinci Resolve
Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.

Connect 5G or 4G Phones for Mobile Data
When uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.

Works with URSA Cine Viewfinder and Accessories
Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.

Professional Connections for Custom Rigs!
Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!

Built-in Microphones and Professional Audio Inputs
With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.

Load Custom 3D LUTs to Recreate Film Looks!
Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.

USB-C for External Disks and Ethernet Control
The Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!

Built In SRT and RTMP Live Streaming
Now you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!

Get Multi Camera Shoots in Perfect Sync!
Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!

Shoot Still Frames up to 24.6 Megapixels!
In addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.

Localized in 13 Popular Languages
Blackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.

Wireless Bluetooth Camera Remote Control
If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!

Power from Batteries or 12V DC!
Blackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.

Includes DaVinci Resolve Studio
Blackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!

Blackmagic Cinema Camera 6K

1" MOS, 15.03 Mpix, f:8.8 - 176 mm, O.I.S., 5-Axis HYBRID O.I.S.+, 4K UHD 3840x2160, 8.8 cm (3.5") LCD, WLAN, 173 x 195 x 344 mm

3840 × 2160 (UHD), 3.5" TFT LCD, 0.39" OLED VF, 8.8 - 176 mm, HDMI Type A, RJ-45, USB 3.1 GEN1 Type-C, USB Type-A, 180 x 173 x 311 mm

4” 1920 x 1080, LCD, PL-Mount, 1500 nits, ISO 400 and 3200, USB-C, RJ‑45, BP-U, 11-19.5V, 14.986 x 10.591 x 11.912 cm, Black

Blackmagic Design

Panasonic

Panasonic

Blackmagic Design